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Our article, “Disorderly Houses: Residences, Privacy, and the Surveillance of Sexuality in 1920s Harlem,” has now appeared in the Journal of the History of Sexuality 21, 3 (September 2012): 443-466.

There are several maps already posted on this blog that are related to the article’s arguments.  The police focus on street prostitution rather than what happened inside residences is evident in the map of prostitution arrests.  Divorce raids, which offer a glimpse of the privacy that unmarried couples could obtain in residences, are mapped in this post.  The night life venues that residents operated in their homes for a black clientele, away from the nightclubs and speakeasies frequented by whites, can be found on the map of Harlem’s nightlife.

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One of the purposes of this blog is to raise awareness of Digital Harlem and draw visitors to the site. When we created the site and the blog, I unreflectively adopted the adage ‘if you build it, they will come,’ expecting that simply being online would draw an audience.  Perhaps that was once the case, but it is not any longer, as the scale of the Internet dwarfs any project and swamps search engines — even a search for “Harlem 1920s” produces 2,510,000 results.  I have come to realize that what I need to do to help people find both the site and the blog is actively engage with other digital history sites, to participate in what has been labelled crowdsourcing.  (It is revealing of what scholars think they can gain from the Internet that I’m often asked about crowdsourcing as a way of adding material to Digital Harlem, but never about contributing knowledge from the project to other sites).  The most prominent example of crowdsourcing, and the site that dominates search results, is Wikipedia.

Recently, other digital scholars have begun to discuss engaging with this online encyclopedia. Eric Meyer, in the Joint Information Systems Committee report on the usage of digital resources published last year, suggested including appropriate links in Wikipedia as a way to increase discovery of digital projects. University of Houston librarians reported earlier in 2011 on a project to ‘evangelize’ the content of their digital library on Wikipedia by uploading images and inserting them into appropriate articles. Engaging with Wikipedia is relatively straightforward for libraries and archives with images and other media they are prepared to put into the public domain. For digital humanities projects that involve something more than digitization, however, the task is more complex, requiring editing Wikipedia entries. The Writing History in the Digital Age collection to which I recently contributed includes several insightful chapters on writing for Wikipedia. But much of the discussion has focused on contributions by students, not scholars. One reason is that an author cannot straightforwardly claim credit for a contribution in the ways to which academics are accustomed. It is also the case that historians feel they have little meaningful to gain from engaging with Wikipedia. However true that might be for some scholars, it is not the case for those creating digital history.

The 5 Pillars (fundamental principles) of Wikipedia

Making a contribution to an entry that connects it to a digital history project is not straightforward.  Most fundamentally, where sites like Digital Harlem place a premium on providing access to primary sources, Wikipedia guidelines suggest limited use of such material – the governing principle is that  “articles should be based on reliable, published secondary sources….A primary source may only be used on Wikipedia to make straightforward, descriptive statements that any educated person, with access to the source but without specialist knowledge, will be able to verify are supported by the source.”[1]  At the same time, in a particular problem for Digital Harlem, the policy against including copyrighted material prevents the inclusion of screenshots of maps from the site in Wikipedia entries as Google Maps is copyrighted. Both those disconnects between Digital Harlem and Wikipedia’s approach can be mediated by this blog. Wikipedia‘s guidelines do state that blogs “are largely not acceptable as sources,” as they are self-published. Moreover, citing yourself is identified as a potential conflict of interest. However, the guidelines allow some leeway to those editing in an area in which they have academic expertise, for who it is the case that, “Using material you yourself have written or published is allowed within reason, but only if it is relevant and conforms to the content policies. Excessive self-citation is strongly discouraged.” In addition, it is possible for me to edit entries using the Digital Harlem Blog as a source on the basis of the exception for “Self-published expert sources…produced by an established expert on the topic of the article whose work in the relevant field has previously been published by reliable third-party publications.” To date, while I have been queried about using this blog as a source, I have not been challenged nor have my contributions been removed, in large part because the editors I’ve encountered have been appreciative of my willingness to contribute my expertise, which is not always the case. [2]

Wikipedia entry on Harlem

The remaining issue is identifying articles to edit that connect a project to Wikipedia. There is a single Wikipedia entry on Harlem, of which one section is devoted to the history of the neighborhood, with an organization that confusing spreads historical content across the historical and thematic sections.  My contributions on everyday life in the 1920s could have gone in a section on the neighborhood as a ‘center of black life,’ or one on the 1920s focused on the Harlem Renaissance and Prohibition, ending up in the later after discussions with the editors most involved with the entry.  I’m still trying to work out how to edit the sections on culture, crime and politics to connect them to Digital Harlem; hopefully other editors will undertake a reorganization of the entry that will make that task easier.

Wikipedia entries related to 1920s Harlem (click to enlarge)

With much of what is dealt with in Digital Harlem not easily incorporated into the Harlem entry, I have had to identify a variety of narrower topics.  To date, I have found twenty-nine entries related to 1920s Harlem, of which I have edited eight. The challenge of fitting in with an entry’s existing organization and approach is exacerbated in the case of such topics, which attract less attention from editors and consequently generally have so many pieces missing that there is no obvious place for what I had to contribute.  One example is numbers gambling, which has an entry so confusing in its organization and content that it requires a major rewrite to accommodate the material in this blog — which for the moment would take more time than I have to give this endeavour.

I’m obviously still in the early days of crowdsourcing with Digital Harlem, so it is still too soon to assess its impact on either Wikipedia or in bringing traffic to this blog and the site. In the later case, just over 200 visitors to the blog have been referred by Wikipedia in the last 3 months, almost 1/10 of the total who have been referred by links, but only about 3% of all the visitors in that time.  Those numbers are not particularly significant, but they come from only a small proportion of the entries to which this project has something to contribute, and they don’t measure how many people have read the content from Digital Harlem that I have contributed to Wikipedia – the Harlem entry alone has been viewed over 48,000 times in just the last 30 days.


[1] There is also a guideline for the use of primary sources that concerns how much of a source can be included. The discussion pages reveal that the present guidelines suggestion not including the full-text of primary sources only dates from 2009 and replaced a stronger position: “Do not include copies of primary sources (specifically: text, maps, artworks and other useful images) in Wikipedia.”  For the debate over this rule, see the archived discussion.

[2] Andy Guess, “Making Wikis Work for Scholars,” Inside Higher Ed (April 28, 2008); Martha Saxton, J. Scott Payne, Leah Cerf, and Melissa Greenberg. “Wikipedia and Women’s History: A Classroom Experience,” in Jack Dougherty and Kristen Nawrotzki, eds, Writing History in the Digital Age, under contract with the University of Michigan Press, Web-book edition, Trinity College (CT), Fall 2011

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An article about Digital Harlem, “Putting Harlem on the Map,” is part of Writing History in the Digital Age, a collection of articles being developed through open peer review.  The editors solicited contributions addressing these questions: Has the digital revolution transformed how we write about the past — or not? Have new technologies changed our essential work-craft as scholars, and the ways in which we think, teach, author, and publish? Does the digital age have broader implications for individual writing processes, or for the historical profession at large?

“Putting Harlem on the Map” discusses how Digital Harlem changed how I thought about and understood the neighborhood in the 1920s.  You can post feedback on the article until November 14 by following this link

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Our book, Playing the Numbers: Gambling in Harlem Between the Wars, won the General History Prize at the 2011 NSW Premier’s History Awards.

The prize citation read:

Telling the story of New York’s gaming underworld in the first half of the last century, this is a brilliant work of recuperative cultural history. It has taken a forgotten aspect of New York gambling history, contemptuously dismissed as ‘nigger pool’, to recreate a complete social underworld – a dynamic, insouciant Black American cultural and urban topography of the streets.

Gambling a few pennies or shillings on numbers was the black economy of the interwar years; it enabled some black people to make themselves millionaires, and many more ordinary black folk to ease the psychic pains of the worst economic depression in history.  The success of the numbers system meant, too, that they had to fight to defend their business from being taken over by white racketeers using political influence and the machinery of violence.  Digging into forgotten archives the authors have recovered the lost worlds of the poor, the fugitive, the illiterate and the criminal.  This is a work of scholarship that conveys the excitement and flair of a thriller.  It tells a wholly original story based on research that has long been though impossible to find.

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Marcy Sacks, Associate Professor of History at Albion College, and author of Before Harlem: The Black Experience in New York City Before WW1, reviews Playing the Numbers in the June 2011 issue of the Journal of American History

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ABC-CLIO Online History Award

I’m pleased to announce that Digital Harlem has been awarded the 2010 ABC-CLIO Online History Award, an award given by the Reference and User Services Association, a division of the American Library Association.

“The committee was taken with the novel and sophisticated approach to the presentation of primary-source ephemera on this site. Unlike so many history sites, Digital Harlem: Everyday Life, 1915-1930 does not merely reproduce digitized copies of primary documents. Instead its usefulness derives from the integration of historical ‘fragments’ that can be combined and recombined into ‘maps that show aspects of daily life that are otherwise easy to overlook and difficult to characterize in narrative’ (applicants’ nomination form). This site, which continues to be updated regularly, will contribute to new historical interpretations and ways of understanding the Harlem Renaissance. Already it is one of the most unique history sites we have seen. It is a fantastic teaching tool for high school and college instructors.” – David C. Murray, Committee Chair

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Our article “Disorderly Houses: Residences, Privacy and the Surveillance of Sexuality in 1920s Harlem” has been accepted for publication in the Journal of the History of Sexuality. It will appear in 2012/2013.

The article argues that despite overcrowding, Harlem’s residences  provided privacy, due to the regular, extended absence of residents at work, the willingness of those not bound by familial ties to look the other way, the ability to pass as married or as heterosexual, and the limited surveillance conducted by public and private authorities.  Residents used that privacy not simply for the marital sexuality that reformers promoted, but for homosexual, extramarital and premarital sexual activity, ranging from casual relationships to informal unions, and to operate venues that commodified privacy and gave others space for the same kinds of sexual expression.

There are several maps already posted on this blog that are related to the article’s arguments.  The police focus on street prostitution rather than what happened inside residences is evident in the map of prostitution arrests.  Divorce raids, which offer a glimpse of the privacy that unmarried couples could obtain in residences, are mapped in this post.  The night life venues that residents operated in their homes for a black clientele, away from the nightclubs and speakeasies frequented by whites, can be found on the map of Harlem’s nightlife.

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Todd Presner, Professor of Germanic Languages, Comparative Literature, and Jewish Studies at UCLA and a founder and director of the Hypercities project, reviews Digital Harlem in the December 2010 issue of the Journal of American History

 

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A new feature has been added to Digital Harlem, thanks to the folks at the Archaeological Computing Laboratory.  It is now possible to link the path of an event.  This is most obviously useful for mapping events such as parades.

 

 

 

 

 

 

If you map the July 4th parade of members of the Elks in 1929, the map that first appears contain only two points, the beginning of the parade at the Monarch Lodge, and its end in St Nicholas Park.  If you toggle on the new left hand button on the layers display, the path of parade appears.

 

 

 

 

This feature can also be used to link a sequence of incidents associated with an event, such as the murder of Jennie Hoyer: the series of isolated points is linked in the sequence in which the events occurred, showing William Hoyer’s activities and movements before and after the crime (I have now replaced the maps in the post on the Hoyer  murder with these improved maps).

 

 

With this new feature available to us, look out for a post on parades in Harlem.

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The Australian Research Council today awarded us a five year grant totaling $702,000 for our new project, Year of the Riot: Harlem 1935.  This amazing news means that we will be to able to expand “Digital Harlem” into the 1930s, taking advantage of the incredibly rich evidence collected by the committee that Mayor La Guardia set up to investigate the causes of the riot.  The new funding will also allow us to re-employ the Archaeological Computing Laboratory here at the University of Sydney to add new functionalities to the site – watch for the mapping of sequences of events (like parades and the riot itself) and the inclusion of images — and much more!

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